The Good People of the 3 Gorges Dam

I finally got around to seeing 'Still Life', by Jia Zhang Ke. It's an excellent film indeed, wholly deserving of the Golden Lion it won at the Venice Film Festival last year. Although, I can't say I really know any of the contenders for that prize, so I've no idea really. But this is a very, very good film.

The film is about the villagers of Fengjie , in Sichuan province. Or is it now under control of Chongqing? Anyway, one of the special things about the film is that the amazing location of the villages, right on the banks of the Yangtze (长江）. It's special because we can't visit these places anymore; they've been completely submerged since 2006. I'm sorry to say I've never been to this part of China before so I'll never know what it was like up close, but this film does offer a beautiful visual record of it.

Upon some reflection, a primary theme throughout the film seems to be about loss. There are two lead characters who both are involved in broken marriages, and have become loveless. And then there is the loss of the village itself.

I'm not sure that it's my favourite film by Jia, I think I still prefer The World. But this is nevertheless another brilliant piece of cinema from him, and I can't wait to see what he films next. Certainly something that does seem to be becoming a trait of Jia is the occasional juxtaposition of surrealism in what are otherwise hyper-realistic films. I first noticed it with the cartoon sequences in The World, and in Still Life he takes it further by using some impressive computer-generated imagery. I quite like the effect.

Oh, and a note about the title. 'Still Life' is the English name, but the original Chinese name 三峡好人 translates to The Good People of the 3 Gorges Dam (well that's my translation). A bit of a mouthful from a marketing perspective. It does, however, have relevance to the film, as there is a scene where a young man remarks "There are no good people here!". Whilst on topic, I should add that some (most) of the dialects in the film are nigh impenetrable to me.